1986年美国达拉斯市，恐同的德州电工罗恩·伍德鲁夫（马修·麦康纳 Matthew McConaughey 饰）发现自己患上“同志病”——艾滋，生命只剩30天。他使用的AZT（叠氮胸苷）是当时美国药管局唯一批准面市的抗艾药物，但毒性极大。为了活下去，罗恩开始研究各种抗艾 处方和替代疗法，甚至走私来自世界各地未经批准的药物。在医生萨克斯（詹妮弗·加纳 Jennifer Garner 饰）和异装癖同性恋雷蒙（杰瑞德·莱托 Jared Leto 饰）的帮助下，罗恩开始成立了一个叫做“达拉斯买家俱乐部”的地下组织，为艾滋病人提供更多“非常规疗法”，很多患病的男同性恋亦求助于他。他的举动自然受到了药管局和药商的阻挠和施压。罗恩最终在1992年9月去世，离他被告知只剩30天可活已经过去了2557天。在这近7年时间里，他坚持不懈的与病魔、与药管局及制药商进行艰苦的斗争，享受真正活过的人生...... 本片根据真人真事改编，讲述一个绝症病人如何努力求生并拯救成千上万面临同样境遇的人的故事，提名金球奖剧情类最佳男主男配以及获得大小29个奖项。
7th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.
Fleeing from their violent father, siblings Lucía and Adrián take refuge in a remote mansion. With the help of a hidden micro-camera on a cat, Lucía uncovers a terrifying secret: their neighbors are part of a criminal network that kidnaps teenage girls to make snuff films, and they intend to get rid of the siblings. As Lucía fights to protect her brother, she must face a dark family curse that follows them into their newfound sanctuary.
In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. But compelled, he was. He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked an...
Calvin Trask lives in a dead end Arctic town on the fringes of society, until mysterious stranger Lucas Wade arrives, turning his solitary life upside down. Calvin's curiosity gets the better of him and is quickly pulled into Lucas' dangerous world. As secrets slowly unravel, Calvin realises just what kind of jeopardy he's put himself in, a place where murder and betrayal are a...
In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk.
But compelled, he was.
He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll.
Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this?
But no answer came.
So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino.
The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.”
It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
Фільм розповідатиме про двох «ворогів дитинства», останніх мешканців невеликого села, які лишилися жити в «сірій зоні» поблизу лінії фронту. «Мало зважаючи на воєнні події, вони намагаються створити своє мирне життя в небезпечній місцині, але все руйнується, коли в селі з’являється російський снайпер»,
