继1995年迪士尼推出《终极傻瓜》(A Goofy Movie)电影上映受到热烈欢迎之后,于是迪士尼决定再度推出第二集。本片大部分是在迪士尼悉尼片厂所完成的,内容则是衍生在 Goofy 的儿子 Max 上大学后的故事,与电视影集与电影第一集相较,《高飞家族》电视影集 Max 年龄是设定在14岁;电影第一集《终极傻瓜》Max 则是设定为16岁;而在本片中,Max 年纪则是设定为19或20岁。本片故事焦点仍是摆在亲子间的代沟问题,当 Max 升上大学后,等待他的是无拘无束的自由又刺激的生活,而他那个老爸 Goofy ,在此时对 Max 而言,活像是个未进化的古董似的,正当 Max 庆幸从此摆脱高飞家族脱线阴影的同时,不料他老爸 Goofy 也来到他的学校上课,当他老爸居然穿着70年代的衣服出现在校园的时候,Max 觉得丢脸丟大了!然而,最后 Max 还是...
The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated.
Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies.
Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods.
Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.
Debt-ridden pacifist Richard Fyre is propositioned to return to his abandoned mercenary ways by flamboyant zealot, Priest, to eliminate his international competition in exchange for a clean slate.