正午1952[电影解说]

A satirical comedy that pokes fun at Spanish social and political stereotypes, featuring parodies of real events and special guest appearances from the political sphere.

7th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.

在偏远的北极小镇，卡尔文·特拉斯克过着与世隔绝的平静生活。神秘陌生人卢卡斯·韦德的到来打破了这里的沉寂。卡尔文被卢卡斯的神秘气质吸引，逐渐放下戒备，却不知自己正被拉入一场危险的游戏。随着卢卡斯的世界逐渐展开，卡尔文发现小镇之下藏着谋杀与背叛的秘密，自己早已深陷致命漩涡，在冰天雪地的绝境中，他必须面对信任崩塌后的生存危机。

《吉时已到》是一部融合了“无限流”设定的中式恐怖作品。其剧情核心围绕主角“尔尔”因执念被困于《牡丹亭·喜宴》副本中展开，她作为NPC杜丽娘，被迫重复经历上千次送别玩家的循环，直至第1001次才迎来关键转折。‌‌ 影片将昆曲《牡丹亭》的经典元素与中式恐怖美学深度结合，通过红妆冥婚、轮回副本等场景，营造出渗入骨髓的诡异与压迫感，而非依赖简单的惊吓手法。‌‌

Fleeing from their violent father, siblings Lucía and Adrián take refuge in a remote mansion. With the help of a hidden micro-camera on a cat, Lucía uncovers a terrifying secret: their neighbors are part of a criminal network that kidnaps teenage girls to make snuff films, and they intend to get rid of the siblings. As Lucía fights to protect her brother, she must face a dark family curse that follows them into their newfound sanctuary.

《庞尼因·塞尔文:第二部分》揭示了前作中朱罗王朝内忧外患的源头：阿迪亚王子和楠蒂妮之间一段凄美的爱情悲剧。朱罗王朝年轻的王子阿迪亚和孤儿楠蒂妮青梅竹马，彼此相爱，然而王室为了拆散他们，流放了年轻的楠蒂妮。 公元978年，楠蒂妮决意为战死的潘地亚国王向王子和他的父亲孙陀罗国王复仇。为了深入朱罗朝廷，她嫁给了朱罗王朝的财政大臣。财政大臣伙同其他朝臣密谋另立国王的兄弟马杜兰塔卡姆为新王，以取代王储阿迪亚王子。潘地亚人誓要灭绝朱罗王族，他们率先向小王子庞尼因·塞尔文下手，但王子在海上突遇风暴，下落不明。听闻王子被大海所吞噬，王叔马杜兰塔卡姆自称为王位继承人夺取政权，并获得了外邦的支持。密林中，潘地亚人谋划着他们对朱罗王朝最后的致命一击，而楠蒂妮决心亲手杀死阿迪亚王子……

In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. But compelled, he was. He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked an...

Calvin Trask lives in a dead end Arctic town on the fringes of society, until mysterious stranger Lucas Wade arrives, turning his solitary life upside down. Calvin's curiosity gets the better of him and is quickly pulled into Lucas' dangerous world. As secrets slowly unravel, Calvin realises just what kind of jeopardy he's put himself in, a place where murder and betrayal are a...

In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. 　　But compelled, he was. 　　He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll. 　　Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this? 　　But no answer came. 　　So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino. 　　The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.” 　　It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.

《档案》是北京电视台推出的纪实栏目，于2009年2月4日开播。节目定位为演播室节目，由一个特定的，极具个性化的讲述者（主持人）现场讲述和展示为基本形态，节目形式以案件和事件现场实录回放为线索，首次披露国内大案要案、社会传奇、情感故事等；其内涵深外延广。节目贴近百姓生活，紧跟时代脉搏，展现人生百态，透视社会万象。百姓关心、关注的热点是我们节目选题的目光指向；更融合了国外最新传奇探索节目和国内栏目形式，以前所未有的视觉冲击力和“新奇特”角度探索世界，找寻那曾经的真实所在和鲜为人知的事实真相。

1945年在广西黔江红石滩上，曾发生过一场以少胜多、以弱胜强的战役，面对300多名的日军精锐，广西义勇军凭借红石滩天险设下“死亡陷阱”激战15小时，击毙120多名日军，狠狠地打击了日寇，极大鼓舞了当地民众的抗日斗志。

《庞尼因·塞尔文:第二部分》揭示了前作中朱罗王朝内忧外患的源头：阿迪亚王子和楠蒂妮之间一段凄美的爱情悲剧。朱罗王朝年轻的王子阿迪亚和孤儿楠蒂妮青梅竹马，彼此相爱，然而王室为了拆散他们，流放了年轻的楠蒂妮。 　　公元978年，楠蒂妮决意为战死的潘地亚国王向王子和他的父亲孙陀罗国王复仇。为了深入朱罗朝廷，她嫁给了朱罗王朝的财政大臣。财政大臣伙同其他朝臣密谋另立国王的兄弟马杜兰塔卡姆为新王，以取代王储阿迪亚王子。潘地亚人誓要灭绝朱罗王族，他们率先向小王子庞尼因·塞尔文下手，但王子在海上突遇风暴，下落不明。听闻王子被大海所吞噬，王叔马杜兰塔卡姆自称为王位继承人夺取政权，并获得了外邦的支持。密林中，潘地亚人谋划着他们对朱罗王朝最后的致命一击，而楠蒂妮决心亲手杀死阿迪亚王子……

丛林深处藏着一只以永恒饥饿为驱动的元素怪物，它每25年苏醒一次，以同一人类家族的血脉为食。1969年，河畔邪教成员莉莉丝在献祭仪式中被怪物选中，诞下的女儿伊芙从此背负诅咒。1994年，一支摄制组前往丛林拍摄邪教纪录片，却意外发现自己与怪物的信仰绑定，成为下一批祭品。2019年，政客肯在直播中遭遇离奇死亡，成为怪物苏醒的信号。2044年，跨国企业的莉莉试图摧毁公司，却发现企业早已被怪物的力量渗透，火焰吞噬一切时，家族的诅咒迎来终章。

医生曾严禁丹妮怀孕，她却意外诞下双胞胎，命运的转折让母子三人接连离世。在柬埔寨传统火葬仪式筹备期间，殡葬师与僧侣按习俗处理后事，却接连遭遇毛骨悚然的怪事。停尸间的异响、诵经时的异常干扰、遗体旁的诡异痕迹不断出现，亡者的怨念在火葬场蔓延，原本肃穆的超度仪式，逐渐沦为被恐惧吞噬的死亡现场。

一架从洛杉矶飞往上海的国际航班，在飞越太平洋时遭遇货舱锂电池起火事故，安全系统接连失效，机长理查德与副机长本被迫驾驶飞机紧急迫降在海域。机上三十余名幸存者被困在破损的飞机残骸上，很快发现这片海域已是鲨鱼的猎场。成群的灰鲭鲨被残骸的血腥味吸引，不断发起攻击。幸存者们来自不同国家、背景各异，必须放下隔阂与猜忌，利用有限的资源搭建防御、寻找逃生机会，在茫茫大海中与饥饿的鲨群展开殊死对抗。

神秘的陆家别墅又叫蝴蝶楼，是出了名的凶宅。理疗师李晗（李梦 饰）、心怀鬼胎的阿伟（刘思维 饰）先后住了进来。此后，一桩桩离奇事件接踵而至：头绑血纱的红裙女人在房间游荡，面目扭曲的无眼男童在凄厉嘶吼……而阿伟因窥见更大利益贪念疯长，李晗却夜夜被梦魇缠身，更是意外撞见惊天豪门秘闻。与此同时，蝴蝶楼内的一场生死局也悄然布下，谁是待宰的羔羊？谁又会迈向更深一层的地狱？

风流不羁的房地产销冠江来（吴翊歌 饰），为利益化身“深情画家”，步步为营接近倔强女医生李梦（李萌萌 饰）。他算计利益得失，她却赌上了余生信任，他们之间，连错过都像一场预谋。一场以利益为起点的相遇，却让他在这段关系中动了真心，在情感与利益中疯狂撕扯。当真相被揭开时，这场以欺骗开场的相遇，能否在真心面前低头？是选择放手，还是为爱再赌一次？

首次揭秘长征纪实事件，1934年中央苏区第五次反围剿失败，红六军团奉命西征，进入贵州石阡，一场战役后，800多名红军消失在石阡困牛山，解放后中央多次寻找未果。70年后少数民族一个奇怪风俗揭开了谜底，红18师52团为了掩护军团主力突围，为了不暴露主力行动方向，他们将敌人引至困牛山，面对数倍的敌人浴血奋战，战斗至最后，狠毒的敌人拿老百姓当人肉盾牌，危机时刻， 100 多名红军战士为了不误伤百姓，宁死不当俘虏，全部跳崖壮烈牺牲。被称为是中国军史和世界军史上的奇迹和壮举！

街景地图PD秀仁带领团队，前往传闻诡异的杀木池水库补拍路段画面——此前素材中莫名出现了无法解释的人形。团队必须在当天完成重拍，可踏入水库区域后，怪事接连发生：镜头捕捉到无人的身影，失踪的前辈突然现身，水下传来若有似无的低语。夜幕降临，信号逐渐消失，成员们接连遭遇离奇状况，黑暗的水库深处，似乎有什么东西正循着水声，向他们缓缓靠近。

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.