胡里安(阿尔维托·圣胡安 Alberto San Juan 饰)为了解决经济问题,选择通过手机软件当起了拼车司机。在这个过程中,他经常接到乘客罗蕾娜(布兰卡·苏亚雷斯 Blanca Suárez 饰)的订单,两人在往返于毕尔巴鄂和马德里的路上,逐渐建立了深厚的感情。尽管年龄相差较大,但他们在路上无话不谈,胡里安也逐渐对罗蕾娜产生了好感。
然而,当胡里安决定在拼车路上向罗蕾娜表白时,却被另外两位乘客的到来打破了计划。这两位乘客分别是爱吹牛皮的商务话痨男罗德里歌和喜欢音乐旅行的嬉皮士男孩卡洛斯。在一系列的事件中,包括超市大打出手、高速车祸、夜宿洗浴中心等,胡里安逐渐觉得自己可能对罗蕾娜并不了解,而罗蕾娜与其他拼车男士的互动也让他感到愤怒。在一次高速公路上的大塞车中,胡里安在罗德里歌的劝说下决定追回去,勇敢地面对罗蕾娜。尽管在一系列的闹剧中遭遇了不少困难和...
Fleeing from their violent father, siblings Lucía and Adrián take refuge in a remote mansion. With the help of a hidden micro-camera on a cat, Lucía uncovers a terrifying secret: their neighbors are part of a criminal network that kidnaps teenage girls to make snuff films, and they intend to get rid of the siblings. As Lucía fights to protect her brother, she must face a dark family curse that follows them into their newfound sanctuary.
In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. But compelled, he was. He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked an...
Calvin Trask lives in a dead end Arctic town on the fringes of society, until mysterious stranger Lucas Wade arrives, turning his solitary life upside down. Calvin's curiosity gets the better of him and is quickly pulled into Lucas' dangerous world. As secrets slowly unravel, Calvin realises just what kind of jeopardy he's put himself in, a place where murder and betrayal are a...
In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk.
But compelled, he was.
He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll.
Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this?
But no answer came.
So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino.
The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.”
It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
Фільм розповідатиме про двох «ворогів дитинства», останніх мешканців невеликого села, які лишилися жити в «сірій зоні» поблизу лінії фронту. «Мало зважаючи на воєнні події, вони намагаються створити своє мирне життя в небезпечній місцині, але все руйнується, коли в селі з’являється російський снайпер»,