尼古拉斯·凯奇和乔尔·金纳曼将主演心理惊悚片《同情恶魔》(Sympathy for the Devil),尤瓦尔·阿德勒(《生死狙击》《女特工》)执导,卢克·帕拉迪斯编剧,正在拉斯维加斯拍摄中。
讲述一名司机(金纳曼)在被迫为一名神秘男子乘客(凯奇)开车后,发现自己陷入了一场高风险的猫鼠游戏,开启惊险刺激的旅程。
Andrea (Birgit Minichmayr) arbeitet als Polizistin in einem kleinen Ort. Als sie beschließt, sich von ihrem Mann Andy scheiden zu lassen, zieht ihre Entscheidung die Missgunst des halben Dorfes nach sich. Wie kann sie sich nur vom tollen Andy scheiden lassen? Die Situation wird noch vertrackter, als eines Abends Andy betrunken vor ihr Auto läuft ...
A writer is sent to Scotland to collect a literary award for her boss and is quickly mistaken for someone else by a dashing Scottish poet. Now, she'll need to decide if telling the truth is worth possibly losing the man of her dreams.
Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down.
It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy.
Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.