In impeccable evening dress, Mark Gatiss and Matthew Sweet ponder the Bonds we've seen on screen since Dr. No in 1962.
To date, six actors have portrayed British Secret Service agent James Bond. Which 007 is the best? Was Sean Connery impossible to surpass? Was George Lazenby really that bad? Was Live and Let Die really a blaxploitation movie in disguise?
Gatiss and Sweet consider these and many other questions, and raise a martini in honour of their premium Bond.
斯特凡在前往祖母八十岁生日聚会的途中，不小心撞到了一只狗。内疚之下，他决定将这只狗带到家乡的湖边，而那里正是他母亲生前度过最后时光的地方。他原本计划拍摄一部关于母亲的电影，如今，这段旅程却成了一场更深层次的自我探寻。
在这片承载着记忆的湖畔，斯特凡试图理解母亲曾说过的话——「The wind brings wishes to life. 」但直到这一刻，他才真正开始倾听风的声音。
What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
